We here explore the potential of rituals in order to more fully comprehend the subjective mechanisms of listening, leading to a broader understanding of phenomenal consciousness (why and how do I know that I am experiencing something?). The originality of the project resides in the blending of phenomenology, cognitive science, the sonic arts, and rituals studies. Rituals are explored in the context of a practice-led methodology between an artist and a cognitive scientist in order to decompartmentalize and possibly decolonize knowledge, namely shifting away from a purely Western techno-scientific perspective in order to embrace a plural vision involving indigenous epistemology. In this project, the sonic arts include music and sound in the arts, and focus specifically on the very act of listening. Rituals constitute structures for the lives of communities and societies, which we address more deeply from the perspective of sonic and cognitive research, so as to understand their roles and the epistemology emerging from them.